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| Romy the Cat's
personal site dedicated to advanced audio and evolved music reproduction
techniques
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Herman, horn dimensions does not described by size of driver but only size of throat. It will be absolutely nothing changed in the horn dimensions if you go from between 10" and 12" driver. Sure you would need a bit larger back side of the horn to ac...
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OK, maybe it needs a bit more detail ,or say perspective as regards to this audio-cooking effort. NO QUESTION, we first have to look after the object before we joy-ride, or joye-feast, oh yes! I mentioned quality and caring somewhere just a short...
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[quote user="Paul S"]I will still buy clean Seraphims with good program material if I do not have the original. If I do have the original, I pass on the Seraphim, even as a "back-up", UNLESS it is a record I have loved so much that I am killing it.M...
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There is new hope for the discriminated analog Audiophile:
The Importer wrote in a Forum about that Table that " it measures at a level no other turntable we did comparisons with can come close to... "And some readers rate it as a great unit even wh...
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[quote user="guy sergeant"]The Ultimate turntable only needs to provide for one arm. The ultimate arm. Why compromise its performance with various inferior arm designs.[/quote] Well, certainly a single ultimate arm would be a good thing but I still w...
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I was involved many years ago (1985), in the design and manufacture of a 'low mass' turntable called the Voyd. This suspended design used 3 papst external rotor synchronous motors to drive a very light acrylic (and later polycarbonate) platter. The i...
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[quote user="Romy the Cat"]I woke up and thinking about the horn problem with fresh head I am thinking what did wrong. I did not measure the frequency response of the horn – I did not see a need for it – the sound of the thing is way beyond where it ...
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Jessie, the "Horn Free Lunch" derives exactly and specifically from "efficiency" registered at frequencies much higher than those ultimately required from the driver in the horn speaker. The horn is there only to provide "gain" at lower frequencies...
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If the HT opera idea involves "immersion", then what is it that facilitates this immersion? I think image quality can be exploited with HT, just like any other quality. As for "Fantasia", it is a great example of a film that simply exceeded everyon...
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[quote user="guy sergeant"]any chance of a similar climb down on the 'adequate but not exceptional' 834P?[/quote]Not really. The 834PT still holds ground and the more I hear different phonostages the more firmly it does. I can’t tell you if it is due...
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I do suggest to re-read my post above where I stated that Pacific has remarkably similar sound to Bidat. In Bidat there is one quality that sets it apart from any other converters out there – the Bidat’s dynamic bursts are orders of magnitude less an...
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One of the first hurdles is to reasonably target a TT by listening not only via but "through" a given system. I, for one, have NEVER set out to do this at a showroom where the putative target was not swamped by other "concerns". There may have been...
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As a new concert season is coming up with BSO opening night next week I was sprucing up my recording studio. The machine is 3MHz with 2G memory – plenty run SoundLab5. The SoundLab just record and play, I do absolutely nothing else in this software, ...
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Coops, do you have any personal observations or ideas about the ultimate TT, or are you already invested and just checking my credentials? I would like to know your thoughts, too, based on your own personal listening habits, preferences an...
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I would think that one would opt at least for a cartridge able to distinguish between different violins (well) recorded in different spaces. Although aural memory itself remains suspect, still one does want to entertain an illusi...
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Stringreen, what an interesting series of posts. I generally enjoy musicians' takes on hi-fi, especially as these relate to sound (versus music). In all performances there are so many things to listen for and to. What I have mo...
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It is probably fodder for another thread, but I have also pondered the volume versus detail issue. I have in the past owned systems, and I have heard many systems, that rendered a lot of nuance and detail at low-ish volume settings.&n...
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It is imposable do not love Giacomo Puccini. Would it be possible do not be in awe of Tosca? Among the numerous performances of this opera that I have on my shelves there are many great. The De Sabata’s La Scala performance from 1953 with Callas, Di ...
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It is imposable entering the holiday season to walk across Boston’s Beacon Hill neighborhood and do not be “abused” by sound of Nutcracker coming from each open window. I just returned from my 15 minuets walk across Beacon Hill to my favorite Antonio...
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The regular visitors of my site know about my recent frustrations with my new Ortofon SPU cartridge for my “mono tonearm”: Is it all that Ortofon SPU can do? Today I made some alternations that more or less cured the audio problem and I decided ...
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As I process what you have said about "blending integrity" I hear a trumpet blowing right at my face, just like I did last night. But obviously this is my imagination at work. Do you mean in general the way tones exist and integrate ...
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My own experience suggests that it is possible to do speaker-level passive crossovers, but I must qualify that by saying that although I have put a lot into the crossovers themselves, and the wire,etc., etc., it has only been since I got the ML2...
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A few weeks back I bought a CD of Hans Vonk lead Saint Louis Symphony with Bruckner 4. It was not the best Bruckner 4 that I heard – the Saint Louis is not the orchestra that does the best Bruckner but it was a very nice performance, surprisingly...
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Got my Krips’ Schubert 9 today from UK and was playing it today, thanks, Jessie, from the recommendation. The performance indeed a very-very-very good, I mean super good but it goes not has Sound that I was looking for. What Krips and London Symphon...
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Interesting thought about recording time, Robin, if only because we tend to think a live performance is going to be better, warts and all. OTOH, stretching the recording over days in the quest for - whatever - often results in other problems, not ...
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The only “contemporary “stereo records that I love in past was by Rafael Kubelik with Fischer-Dieskau, Giacomotti and Bergonzi. The orchestral part of that La Scala play is amassing. Still, in my view it is not the best Rigoletto and mono recor...
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First, the Fifth: The first movement is indeed a stunner, nothing comes close. For the rest, I can line up competition. But no matter! The "live" aspect trumps all.The Met, indeed, had its moments but was not a keeper.The Traviata was terrific! Even ...
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You do make me laugh sometimes! You really do seem to have problems in seeing the merits in anything if it doesn't fully satisfy the very particular performance criteria you set. As a species such inflexibility wouldn't allow you to evolve very much ...
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Bill, what I find interesting is not the fact that the units vary one from the other in terms of measured performance, or each in its (in)ability to charge its own battery, rather I notice that you seem "happy" with the performance of all the units i...
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I chose the EdgarHorns for fairly simple reasons. I have listened to them and I loved the way they sound. They are not the perfect loudspeaker, but they make much truer music than what I have now. Also, the price I paid is less than...
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